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Jules Renard

Spanning from 1887 to a month before his death in 1910, The Journal of Jules Renard is a unique autobiographical masterpiece that, though celebrated abroad and cited as a principle influence by writers as varying as Somerset Maugham and Donald Barthelme, remains largely undiscovered in the United States. Throughout his journal, Renard develops not only his artistic convictions but also his humanity, as he reflects on the nineteenth-century French literary and art scene and the emergence of his position as an important novelist and playwright in that world, provides aphorisms and quips, and portrays the details of his personal life-his love interests, his position as a socialist mayor of Chitry, the suicide of his father-which often appear in his work.

Beach party movies

Beach party movies were an American 1960s genre of feature films created by American International Pictures (AIP) with their surprise 1963 hit, Beach Party, and copied by virtually every other studio. Precursors to the genre were Columbia Pictures 1959 release Gidget, starring Sandra Dee as a teenage surfer girl, and 1961's Gidget Goes Hawaiian. American International's films took the Gidget idea, added more music and far more bikinis, and removed nearly all references to parents. The films helped popularize surfing and surf music, and they often included on-screen performances by well-known pop groups.