Literature

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Ancient Evenings

Ancient Evenings, a dazzlingly rich, deeply evocative novel, recreates the long-lost civilization of Ancient Egypt. Mailer breathes life into the figures of that era; the eighteenth dynasty Pharaoh Rameses and his wife, Queen Nefertiti; Menenhetet, their creature, lover and victim; and the gods and mortals that surround them in intimate and telepathic communion. His hero, three times reincarnated during the novel, moves in the bright sunlight of white temples, in the exquisite gardens of the royal harem, along the majestic flow of the Nile and in the terrifying clash of battle. An outstanding work of creative imagination, Ancient Evenings displays Mailer's obsession with magic, violence and eroticism and lives on in the mind long after the last page has been turned.

The Black Tulip

The Black Tulip is a historical novel written by Alexandre Dumas. The city of Haarlem in The Netherlands has set a prize of 100,000 guilders to the person who can grow a black tulip, sparking competition between the country's best gardeners to win the money, honour and fame. The young and bourgeois Cornelius van Baerle has almost succeeded, but is suddenly thrown into the Loevestein prison. There he meets the prison guard's beautiful daughter Rosa, who will be his comfort and help, and at last his rescuer.

Curiosities of Literature

Curiosities of Literature is the epic cornucopia of essays on all things literary by Isaac D’Israeli. In a preface, D’Israeli described his ever-evolving work as a “voluminous miscellany, composed at various periods … a circuit of multifarious knowledge [which] could not be traced were we to measure and count each step by some clinical pedometer.” It would, however, be a misjudgment to regard the miscellany as a jungle of whimsical impressions or fanciful thoughts. Rather, it is a man-made woodland landscaped, cultivated, and manicured by an urban if not urbane gentleman.

Memoirs of a Public Baby

Memoirs of a Public Baby is a book by Philip O'Connor. Seldom has a writer described his own chaotic boyhood and early manhood with so much self-flagellating mockery. Abandoned by his Irish mother, a "fallen gentlewoman," O'Connor grew up in a seedy hotel, in a brewery, in a cellar, in a French peasant woman's pastry shop. In London, he developed an intense dislike of English snobbery as he ran into "a wall of nervous, persnickety tabus" that stifled social interaction. His contempt for bourgeois values and conformity is reflected in wickedly mordant comments on himself, his friends and acquaintances. Like new suits of clothes, he dons and discards intellectual fashions - surrealism, communism, Nietzsche, D. H. Lawrence. He spends six months in a mental hospital, then has a sexually frustrating affair with a cultured, unbalanced woman who nearly axes him and is herself hospitalized. We leave him in 1945, "started . . . on a halting road to conformity."