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Bibliothèque de la Pléiade

The Bibliothèque de la Pléiade is a French editorial collection which was created in 1931 by Jacques Schiffrin, an independent young editor. Schiffrin wanted to provide the public with reference editions of the complete works of classic authors in a pocket format. Each of the volumes published presents a similar high-quality appearance: a leather binding, stamped in gold on the spine, enclosing a text block on bible paper, all in a practical small format. The use of bible paper allows the books to contain a high number of pages; it is common for a Pléiade book to contain 1,500. The leather covers of the books are also colour-coded according to period: 20th-century literature comes in tobacco leather; 19th-century, in emerald green; 18th-century, in blue; 17th-century, in Venetian red; 16th, in Corinthian brown; the Middle Ages, purple; Antiquity, green; spiritual texts, grey; and anthologies, in red.

British Premonitions Bureau

The British Premonitions Bureau was formed in 1966 by psychiatrist John Barker after the Aberfan mining disaster in which 144 people, including 116 children, died when 500,000 tons of debris smashed through the Welsh town and buried the primary school. Reports of precognitive dreams foretelling of the catastrophe prompted Barker to form the bureau in the hope of predicting and avoiding future tragedies. In the 18 months the Premonitions Bureau was open, nearly 1000 reports of premonitions were collected, and while a few seemed to foretell disasters, over 90 percent failed to predict future events and none prevented any disasters.

Joe Orton

Joe Orton was an English playwright, author, and diarist. His public career, from 1964 until his murder in 1967, was short but highly influential. During this brief period he shocked, outraged, and amused audiences with his scandalous black comedies. The adjective Ortonesque refers to work characterised by a similarly dark yet farcical cynicism. Orton met Kenneth Halliwell at RADA in 1951 and moved into a West Hampstead flat with him and two other students that June. Halliwell was seven years older than Orton; they quickly formed a strong relationship and became lovers. A lack of serious work led them to amuse themselves with pranks and hoaxes. Orton created the second self "Edna Welthorpe", an elderly theatre snob, whom he later revived to stir controversy over his plays. Orton chose the name as an allusion to Terence Rattigan's archetypal playgoer "Aunt Edna". From January 1959, Orton and Halliwell began surreptitiously to remove books from several local public libraries and modify the cover art or the blurbs before returning them. A volume of poems by Sir John Betjeman was returned to the library with a new dust jacket featuring a photograph of a nearly naked, heavily tattooed middle-aged man. On 9 August 1967, Halliwell bludgeoned to death the 34-year-old Orton at their home in Noel Road with nine hammer blows to the head. Halliwell then killed himself with an overdose of Nembutal. In 1970, The Sunday Times reported that four days before the murder, Orton had told a friend that he wanted to end his relationship with Halliwell, but did not know how to go about it.

Jim Tully

Jim Tully was an American vagabond, pugilist, and writer. He enjoyed critical and commercial success as a writer in the 1920s and 1930s. Born near St. Marys, Ohio, to James Dennis and Bridget Marie Lawler Tully, an Irish immigrant ditch-digger and his wife, Tully enjoyed a relatively happy but impoverished childhood until the death of his mother in 1892. Unable to care for him, his father sent him to an orphanage in Cincinnati. He remained there for six years. What further education he acquired came in the hobo camps, boxcars, railroad yards, and public libraries scattered across the country.

Gertrude Jekyll

Gertrude Jekyll was an English landscape architect who was the most successful advocate of the natural garden and who brought to the theories of her colleague William Robinson a cultivated sensibility he lacked. Born of a prosperous family, Jekyll was educated in music and painting and travelled in the Greek islands, where she studied architecture and history. Her chief interest was in painting until 1891, when her sight gave her trouble, and she applied herself wholeheartedly to gardening instead. Her taste was for the simplicity and orderly disorder of cottage gardens.