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Maison de Verre

No house in France better reflects the magical promise of 20th-century architecture than the Maison de Verre. Tucked behind the solemn porte-cochere of a traditional French residence on Rue Saint-Guillaume, a quiet street in a wealthy Left Bank neighborhood, the 1932 house designed by Pierre Chareau challenges our assumptions about the nature of Modernism. For architects it represents the road not taken: a lyrical machine whose theatricality is the antithesis of the dry functionalist aesthetic that reigned through much of the 20th century.

Felisberto Hernández

A giant of Latin American letters and precursor to the magic realist writers is well served by this absorbing translation of some of his most acclaimed works. Once a pianist who accompanied silent films, Felisberto Hernández crafts luminous works that reflect the guileless drama and visual intensity of silent films. His characters, all pianists of one level or other, are constantly reliving a past recital or pondering their next performance. Music is the subtext for narratives that plumb aspects of memory and thought, without a definable plot. Hernández revels in images that are simple and repetitive: arms, light and shadow, the houses of the wealthy and their odd contents. The stories acquire a luxurious sheen from the ease with which they navigate memories, taking pleasure in recounting them with no intention other than tracking the mind's twists and turns.