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Crush, Texas

Crush, Texas, was a temporary "city" established as a one-day publicity stunt in 1896. William George Crush, general passenger agent of the Missouri-Kansas-Texas Railroad, conceived the idea to demonstrate a train wreck as a spectacle. No admission was charged, and train fares to the crash site were at the reduced rate of US$2 from any location in Texas. As a result about 40,000 people showed up on September 15, 1896 making the new town of Crush, Texas, temporarily the second-largest city in the state.

Saul Leiter

Saul Leiter was perhaps the most interesting of the fifties color photographers in his use of form. One of the most effective gestures in Leiter’s work is to have great fields of undifferentiated dark or light, an overhanging canopy, say, or a snow drift, interrupted by gashes of color. He returned again and again to a small constellation of subjects: mirrors and glass, shadows and silhouettes, reflection, blur, fog, rain, snow, doors, buses, cars, fedoras. He was a virtuoso of shallow depth of field: certain sections of some of the photographs look as if they have been applied with a quick brush.

A Humument

In the mid-1960s, Tom Phillips took a forgotten nineteenth-century novel, W. H. Mallock's A Human Document, and began cutting and pasting the extant text to create something new. The artist writes, 'I plundered, mined and undermined its text to make it yield the ghosts of other possible stories, scenes, poems, erotic incidents and surrealist catastrophes which seemed to lurk within its wall of words. As I worked on it, I replaced the text I'd stripped away with visual images of all kinds. I began to tell and depict, among other memories, dreams and reflections, the sad story of Bill Toge, one of love's casualties.' After its first publication in book form in 1980, A Humument rapidly became a cult classic.